You Get What You Focus On

It's easy to feel negative.

The media is always telling us we're on the brink of economic collapse - that it's only a matter of days before the biggest slump since the 1930s Depression takes away the value of our property, our savings and our livelihoods.

Many would-be writers are tightening their belts, ignoring the call to write in favor of the day job. They're giving up their dreams in droves, convinced that it's all too hard...

Uh, did I miss something?

Doesn't anyone remember basic economics from school?

I thought it was well known that economic activity goes in seven year cycles - apparently something to do with the sun - and that boom and bust years are natural and inevitable.

Smart stock market people know there's never a bad time for investors - there's just alternate opportunities. While some stocks slide, others climb. When the market is overpriced, it adjusts itself by devaluing. When stocks and interest rates are high, people stop buying. When stocks are cheap, new investors snap them up and the investment picks the market back up again. This is how it works. The world economies have been surviving like this for hundreds, if not thousands of years.

So why is it that now, today, it's supposed to be so much worse?

Could it possibly be because we're collectively making it that way?

That by tightening our belts we're actually starving the economy of the investment it needs?

Maybe you think I'm naive - but I did study Economics! And one thing I learned well is that much of the stock market is driven by good old human fallibility - and perception.

What the market focuses on is what it gets. Boom and collapse become self- fulfilling prophecies - every time - because, as humans, we believe that's how it should work.

Prosperity and hardship, security and scarcity are all illusions. They are not real concrete things - they are merely 'feelings' you have about yourself and the people, the world around you.

Real success and genuine happiness have got nothing to do with money. You either feel good about yourself, your situation, your world, or you don't. Prosperity comes from within.

Do you have less chance of being a professional writer now than you did last year?

Of course not.

If anything you have a better chance - because so many other writers are throwing in the towel!

Don't you be one of them.

Stick with it. Be positive. Fight back. Come up with new angles. Write more, submit more, be the exception.

Often, to make progress, we just need to change the way we think - and remove our own negativity when all around us are in train wreck mode.

If you really believe we're heading for a crash (to continue the metaphor), get off the train. Go for a walk in the sunshine. Move towards your goal feeling light. Remind yourself that when you believe in yourself and your talent and capabilities, things always work out for the better.

It's self-doubt and lack of motivation that will kill your ambitions every time.

I'm convinced that if we all got together and decided the crash wasn't going to happen and even if it did, so what - the apparent looming crisis would dissolve, as if by magic, overnight.

Don't buy into the doom and gloom hype.

It's not real.

And if it's not real, surely it can't hurt you.

Be happy, be grateful for what you have, make big plans and move into the future with confidence.

You have a duty to believe in your dreams, and take action consistently.

To quote the old 80s pop song: "The Only Way is Up!"

Keep Writing!

Rob Parnell's Writing Academy

What is Writing Style?

Let's get one thing straight. A lot of people search the term 'writing style' when they're actually looking for 'writing fonts'.

I know. I regularly get Google visitors who've typed in 'tattoo writing styles' or 'graffiti writing styles'. Clearly, they're not looking for 'writing style' at all but rather a collection of fonts they can refer to, copy, or learn from.

'Style' is different - more aligned to technique than anything else.

There are various official writing styles - but these are more specifically ways of constructing essays or theses rather than refering to what most writers regard as 'ways of writing'.

The APA style is set by the American Psychological Association and is basically a way of organizing information for reports and social science documents. Hardly of use to the average creative writer.

The MLA style dictated by the Modern Language Association is favored for college essays and english literature papers. Again, helpful when you're at school - but nothing a creative writer need worry too much about.

The Chicago style, or CMS, is most often cited as 'correct' for American English in that most editors and publishers aspire to using its recommended formats. First published in 1906, the Chicago Manual of Style is now in its 15th incarnation - and is the standard for writing non fiction in journals and magazines.

But what about fiction?

What's a writer supposed to refer to when it comes to developing an acceptable writing style?

Easy answer. Strunk and White's The Elements of Style.

It's an old book - first written in 1918 - but its rules (most of them anyway) are still relevant today. You can download a copy of the first edition from my Academy for free.

When it comes to fiction, writing style is often personal.

Your own mind - and your own sense of balance - will dictate how you put a piece of writing together.

Of course it's important to tighten what you do - to make your writing clearer, more succinct and therefore more powerful.

You need to look at your sentences and make sure you're actually saying what you mean - and meaning what you say.

The way to do this is to write first - and then be thorough with your editing afterwards.

It's much too hard to write perfect prose the first time around. For a start, you're not always sure what you have to say before you start writing!

So write first, then edit.

Edit out wordiness, cliches and qualifiers - the things we put in in speech naturally but clutter the writing when it's on paper.

Edit out the passive voice from your writing. Readers should be able to quickly identify the noun (the object in the sentence) and the verb (the doing word). Writing passively - where the verb often gets mistaken for the object - is not literary, it's lazy.

Edit out the big words, unnecessary adjectives, and reconstruct sentences into their simplest form.

Use the correct punctuation.

Be grammatical.

Your goal is to be understood, not to impress. Being understood - and using language effectively - impresses far more than hiding your meaning behind a fancy writing 'style'.

Because, perhaps ironically, the best writing style is invisible.

Keep writing!

© Rob Parnell